The Hon Julia Gillard MP
Prime Minister
Parliament
House
Canberra, ACT
2600 29th
May 2012
Dear Prime
Minister
“Your correspondence places our staff at risk,” writes
a bureaucrat in the employ of the government you lead. “To be clear, any
correspondence you send to us about the decisions notified in this letter will
not be read.” At risk of what, I wonder! Death by letter bomb? Poisoning by
anthrax? I know that the pen is mightier than the sword and all that,
but…placing the staff of Screen Australia (a tax-payer funded film funding
body) at risk with my words! Is that an insult or a compliment?
“Screen Australia has taken the decision that it will
not accept further funding applications from you, or engage in correspondence
with you about funding applications,” continues Ruth Harley, Chief Executive of
Screen Australia. “I appreciate that this is an unusual step and one which we
do not take lightly.”
I search Harley’s letter in vain for evidence that my
letters and emails have placed her staff at risk, “We are under a legal
obligation to protect our staff from harassment and intimidation,” is as close
as Harley comes to explaining her decision. I agree with Harley that if I am
guilty of harassment, intimidation and placing her staff at risk, her banning me
from having any further communication with the tax-payer funded organization
she heads up is not an inappropriate course of action. Indeed, given the unpleasant
images conjured up by placing her staff ‘at risk’, it would not be unreasonable for her to take out an AVO
against me. Some evidence in support of the charges laid against me would be
appreciated, however, given the draconian nature of the sentence handed down by
Harley. With or without the blessing of the Screen Australia Board is a
question that I have been unable to get an answer to.
Whoever in your office is reading this may well be
thinking at this point: “The Chief
Executive of Screen Australia, answerable to Minister for the Arts, the Hon
Simon Crean, would not accuse a filmmaker of harassment, intimidation and
placing her staff at risk if she did not have evidence that he had done so. Ricketson
must be guilty, surely!” Yes,
I may be guilty as charged. It may well be that I am lying when I insist that I
have not intimidated, harassed or placed any Screen Australia staff at risk.
Evidence of my guilt or innocence would be found in the correspondence in
question if anyone bothered to look. Or is Harley’s word of its existence
enough?
I have asked Ruth Harley to quote
one sentence, one paragraph, one email, one letter to a member of her staff
that contains anything that could be construed, by even the most sensitive or
Screen Australia employee, as posing a risk to them. If she can produce even
just a few words that are evidence of my having harassed or intimidated her
staff, my pleading innocent is
disingenuous at the very least. If Harley
were to identify the correspondence to back up her claims, or even selected
extracts, I would have lots of egg on my face. I would appear a fool in public,
and deservedly so since I have so vociferously, and very publicly, proclaimed
my innocence? Harley
refuses to reveal to me which of my correspondence she is referring to.
My appeal to Harley to act n
accordance with the precepts of accountability and transparency Screen
Australia prides itself in adhering to having failed, I then suggested that an
independent Conciliator be brought in to determine whether or not my
correspondence contains evidence of the crimes for which I have been accused. Such
a Conciliator should, I believe, be someone with no vested interest in the
outcome but an interest only in verifiable facts and not in the clouds of
obfuscation that tax-payer funded spin doctors can throw up to confuse simple
questions. It does not get much more simple that this: the correspondence to
which Harley refers either exists or it does not. And if it exists there must
be a few words in it at least that could be construed as intimidating,
harassing, placing staff at risk. Harley could point these out to the
Conciliator.
Harley did not respond to my
Conciliation suggestion. This is consistent with her declaration that “any correspondence you send to us about the decisions
notified in this letter will not be read.” Kafkaesque is too mild a term to
describe what is going on here!
I believe it should be a matter of concern to you, at
a time when bureaucrats in your government endlessly repeat the ‘I am committed to transparency and
accountability’ mantra, that a senior bureaucrat can effectively ban an
individual from communicating with a tax-payer funded organization and provide
no evidence at all to back up his or her actions! It should be a matter of
concern to you that the minister whose job it is to see that public servants
act in accordance with the Australian Public Service code of conduct refuses to
ask the Chief Executive of an organization within his portfolio to provide
evidence for such a draconian course of action. Or am I just hopelessly old
fashioned in my understanding of what the words ‘transparency’; and
‘accountability’ actually mean?
It is now
three months since I wrote the following to you:
“It is
more than a little absurd that it should be necessary to write to the Prime
Minister of Australia to ask a simple question for which there is a not only a
simple answer but an obvious one:
Is it appropriate that complaints made about the Chief Operating Officer
of a federal government body that invests around $60 million a year in
Australian film and television are investigated by the Chief Operating Officer
herself?”
Receipt of this letter has not been acknowledged and
it has certainly not been handed down the line to Mr Crean’s office for him to
deal with. I have written many times to Mr Crean about this. Receipt of my letters has not been acknowledged.
Perhaps Crean is fearful that my correspondence places his staff at risk!
yours sincerely
James Ricketson
Have been on the receiving end of the same treatment from Screen Australia. So have other filmmakers I know. The sooner we get rid of this lot of career bureaucrats the better.
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