Monday, July 1, 2013

# 2 SHIPS IN THE NIGHT


…following on from # 1 SHIPS IN THE NIGHT…

MATT
Cronulla.

TRACY
Long way from Rydalmere to Cronulla, ay?

MATT moves his taxi closer to the head of the rank; TRACY following alongside.

MATT (NODS)
But a good fare this time of night… $70? $80. One of these guys (HE GESTURES TO THE CABS IN THE RANK BEHIND HIM) will take you…for sure.

TRACY
Not if I tell them I don't have money.

MATT
You really do have money at home?

TRACY nods. MATT drives forward a little. TRACY follows.
MATT (CONT’D)
Then don't tell him you've lost your wallet.

TRACY
Lie, you mean?

MATT
No, just don't volunteer…

TRACY
Y'reckon not telling the whole truth is the same as lying? I mean if no-one asks for the whole truth and you…someone…keeps stuff secret? Is that lying?

MATT
I reckon secrets are OK?

TRACY
Tell me a secret. One of yours.

MATT laughs, shakes his head. 

TRACY 
You tell me one of yours and I'll tell you one of mine.

MATT
I'm sorry Tracy, my shift's finished so…

TRACY
I know, you can't drive me home. That's OK. But you can talk to me, right, till you get a fare?

MATT
Even if you had money…I've got to be somewhere…a promise I've made…

TRACY
Promises are important to keep, ay?

MATT nods, suddenly remembers his own recent promise to Juliet. He takes out his mobile, pauses, looks at TRACY. 

MATT
Sorry…

He makes a 'sorry' gesture. TRACY shrugs (“It's OK”), 

MATT 
It's private.

TRACY
That's OK. I'm good at keeping secrets. (A BEAT) Girlfriend?

MATT smiles, moves forward a little further in the rank, TRACY walking alongside.

TRACY 
Aha! So, what did you do to piss her off or what didn't you do you should have done?

MATT smiles, shakes his head.

TRACY 
Someone you love, ay? Wife? Girlfriend? (A BEAT) or boyfriend?

MATT
Daughter.

TRACY'S mood changes from playful to serious.

TRACY
See, I was right. You do love her? Your daughter? What's her name?

MATT looks at TRACY for a long moment.

MATT
Juliet.

TRACY
As in Romeo and…?

MATT
As in…(A BEAT) About your age.

TRACY
No way! (A BEAT) You and her mum still together?

MATT
No, they live in Melbourne.

TRACY
Does she know you're her dad?

MATT (LAUGHS)
Of course.

TRACY
Do you love her? More than anything in the whole wide world? (A BEAT)
Sorry. (A BEAT) None of my business. (A BEAT) But do you?

MATT
Yes.

TRACY
She's lucky, ay?

MATT
I guess…

TRACY
K. See ya.

TRACY, subdued now, all of her cockiness having deserted her, turns, starts to walk off. MATT calls out to her.

MATT
Tracy!

She turns, her face breaking into a hopeful smile.

MATT
You be careful, okay?

TRACY'S smile fades.

MATT 
And I know this is the kind of thing that your mum and dad probably say, but…You shouldn't be out alone at this time of night.

TRACY  (CHILDLIKE)
Yes dad.

This throws MATT for a moment. He looks at her. TRACY slips back into acting like a confident young woman, smiling 'sexily' in a way she has seen women do in some movie.

TRACY 
See ya.

MATT nods. TRACY hesitates, her eyes on the taxi windscreen.

TRACY 
You know you've got a crack in your windscreen?

MATT nods. TRACY hesitates a moment before walking off. After a few paces she stops, thinks to herself.

MATT, mobile in hand, watches her. After a long moment TRACY walks back and stands by Matt's window. Her cockiness has been replaced with a quiet vulnerability. She looks from his bloodied knuckles to the windscreen.

TRACY 
Did the windscreen do something to hurt your feelings?  

MATT is thrown by the question; is not sure how to respond.

TRACY 
I have days like that too. Like yesterday. Yesterday sucked bigtime. But…

MATT's mobile emits the sound of a rooster crowing. TRACY smiles but is still caught up in her own vulnerability. MATT looks at the screen:

Juliet

He wants to take the call but is still processing what Tracy has just said. The rooster crowing stops. TRACY, capable of switching personas at the drop of a hat, slips back into being the ingénue.

TRACY 
What if I have to hitchhike home and get raped or murdered or something and you read about it in the paper? How are you going to feel?

MATT
If you do a runner on me and I can't make my mortgage payments this week how do you reckon I'm going to feel?

TRACY
Like you want to hit someone.

TRACY indicates MATT'S bloody knuckles.

MATT (DEFENSIVE)
I didn't hit anyone.

TRACY
Didn't say you did. Said you want to.

MATT 
No I don't.

TRACY raises her fists and makes a little boxing gesture. MATT            smiles, shakes his head.

MATT
Can't call your dad and get him to pick you up? Have you got a dad?

TRACY
Yes and no.

MATT
Test tube baby, ay!

TRACY
Biological, yes, but…the rest of the dad stuff…(SHAKES HER HEAD) uh huh! Mum's had to cope with me all alone.

MATT
You know who your dad is?

TRACY bites her lip, plays nervously with her hair.

TRACY
Yes, but he doesn't.

MATT
Doesn't know he's your dad?

TRACY
Maybe that too. (A BEAT) Not sure if he knows…doesn't know… He's pretty clueless.

MATT
You've met him!?

The thin sound of an upbeat pop song from Tracy's mobile.

TRACY
A squillion times. I've known him since before I can remember.

TRACY takes out her mobile, looks at the LCD screen, sees who the caller is, walks to the front of the cab, speaks abruptly.

TRACY (ON PHONE) 
What!

MATT watches her through the cracked windscreen as TRACY listens for a moment before venting her anger:

TRACY (ON PHONE) 
You promised me! I trusted you and you lied to me. Your promises are worth fuck all. I never want to see you again.

TRACY punches 'end' on her mobile petulantly, plays absent-mindedly with a silver ring on her left index finger for a moment, walks back to stand by his window. 
TRACY 
Men! Can you explain men to me?

MATT
Can you explain teenage girls to me?

TRACY (GRINS)
Cost ya a ride t'Rydalmere.

MATT laughs. The sound of the passenger door opening. 

PASSENGER (VOICE OFF)
You right for Cronulla, mate?

MATT turns, sees the smiling face of a MIDDLE AGED MAN leaning in through the front passenger door.

MATT
Sure.

As the PASSENGER drops into the seat, MATT looks at TRACY. He catches the moment of disappointment in her face before she smiles, gives him a double thumbs up.

TRACY
Cronulla! Way to go.

MATT nods, smiles, as the PASSENGER fastens his seat belt.

TRACY 
Fun talking to ya.

TRACY pauses for a moment before turning to walk off.

MATT
For me too, Tracy.

TRACY turns, beams a smile at him for a moment, turns keeps walking. MATT turns on the ignition.

PASSENGER (FRIENDLY)
Had a good night?

MATT seems not to have heard. He looks back out the window. TRACY has almost reached the other side of the road.

PASSENGER  
Guess it would have been better if you'd scored that bit of teen pussy.
MATT ignores the PASSENGER; turns on the meter. The muffled sound of a rooster crowing. The PASSENGER ogles TRACY.

PASSENGER  
What's better than fucking a 16 year old girl?

MATT takes his mobile from his pocket: Juliet.

PASSENGER 
Fucking a 14 year old girl.

The PASSENGER laughs. MATT ignores him, talks into his mobile.

MATT
I wish you'd stop doing that, sweetheart!

JULIET'S VOICE
Doing what?

MATT
Hanging up on me. 

JULIET'S VOICE
You don't have a clue, do you?

MATT
About what?

JULIET'S VOICE
Anything.

MATT
I'm not psychic, Juliet.

JULIET'S VOICE
You can say that again.

PASSENGER
Can't live with 'em, can't shoot 'em, eh!

JULIET'S VOICE
Who's that? What did he say?

MATT
Nothing.

JULIET'S VOICE
I heard what he said. Arsehole!  Bye dad.

Juliet hangs up.

PASSENGER
Hey, you know your hand's bleeding?

MATT ignores him, taps 'J' and 'U' on the keypad of his mobile when the sound of a rooster crowing announces the arrival of a text message from Juliet:

Fuck you!

MATT stares at the text message. Natural sound drains away as MATT raises his eyes.

14 EXT. CAB. TAXI RANK. NIGHT

Looking through the windscreen at MATT, staring into space. His eyes focus on the two inch crack as it grows slowly another half inch, another inch, then stops.

The PASSENGER'S lips move but neither MATT nor the audience hears any words.  

15 INT. CAB. TAXI RANK. NIGHT

Close on MATT. Natural sound drains back in. 

PASSENGER
Can we fucking…go…!?

He indicates the ticking meter. MATT nods, checks for traffic before leaving the curb, sees TRACY across the road - arm outstretched; hitching. The group of THREE YOUNG DRUNKEN MEN closeby have spotted her. TRACY turns, looks at MATT looking at her. She waves to him as she did before - thumb outstretched and four fingers moving, flapping up and down exaggeratedly: 'ta ta'. Without thinking, MATT moves his hand as if to replicate the gesture but stops himself. MATT looks calmly at the PASSENGER for a long moment.

MATT
Sorry, I can't take you to Cronulla.

The PASSENGER, incredulous, looks at TRACY, back at MATT.

PASSENGER
You're fucking kidding, right!?

MATT
Sorry, but…the driver behind me…

The PASSENGER stares at MATT - who reaches across him and opens the passenger door, undoes the PASSENGER'S seat belt.

16 EXT. CITY STREET. NIGHT

TRACY watches the PASSENGER get out Matt's cab on the other side of the road, slam the door.

PASSENGER
Cunt!

MATT pulls out from the curb, prepares to do a U-turn. TRACY smiles. The PASSENGER shouts at MATT as he begins his U-turn:

PASSENGER 
Give her one for me too, arsehole!

Matt's cab pulls up alongside TRACY.

TRACY
You offering me a ride or what?

MATT 
'Long as you don't take me for one!

TRACY (EXCITED)
Yay.

TRACY opens the front passenger door, leaps in happily.

MATT
Seatbelt.

TRACY fastens her seat belt, looks at MATT with a big happy smile. MATT drives off.

…to be continued…


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