Moray
& Agnew Lawyers
Level
24, 233 Castlereagh St
Sydney,
NSW 2000 30th August 2102
Dear
Moray and Agnew
In
response to your letter of 29th August
I
would be delighted to withdraw my Supreme Court Statement of Claim if
Ruth Harley releases or identifies the correspondence she asserts
bears witness to my having intimidated, harassed and placed at risk
members of her staff. I have been asking her to do so since 10th May this year. I have also sought, to no avail, to obtain the
allegedly offending correspondence through Screen Australia’s FOI
officer. And I have asked the office of the Ombudsman to request of
Ms Harley that she provide evidence to back up her intimidation
claims that resulted in the Screen Australia Board voting to ban me.
To date, my appeal to the Ombudsman’s office has yielded no result
– leaving me with little option, if I am not prepared to be banned
on trumped up charges, to hope, through discovery, to acquire the
correspondence through my action in the Supreme Court. I am sure the
Court will wonder why it is that the matter is being heard in it but
I believe also that the judge will wonder why it has not been
possible for me to acquire the allegedly intimidating correspondence
(a) by asking Ruth Harley to provide or identify it, (b) through FOI
and (c) through the office of the Ombudsman.
If,
by 4 pm Friday 31st August Ms Harley has identified and/or released the relevant
correspondence I will withdraw my Statement of Claim. If Ms Harley
refuses to release it and instructs Screen Australia’s FOI officer
not to release it, I trust that the Commonwealth Information
Commissioner (to whom I am copying this letter) will ask her to do
so. I will also request of the office of the Ombudsman (to whom I am
also copying this letter) to request of Ms Harley that she identify
the offending correspondence by Friday 4pm.
There
is an alternative course of action based on my assertion that Screen
Australia does not have on record correspondence from me that meets
any dictionary definition of ‘intimidation’ and that there is not
one paragraph, one sentence, one phrase, one word in any of my
correspondence that a reasonable person would view as my having
placed Screen Australia staff at risk. If Ms Harley will acknowledge
by 4 pm Friday 31st that no such correspondence exists, apologize for her error and have
the Screen Australia Board lift the ban that has been placed on me, I
will withdraw my Statement of Claim.
If
Moray & Agnew Lawyers believes that it has in its possession
copies of intimidating correspondence from me, why not advise Ms
Harley to identify and release the offending paragraphs, phrases
sentences or words, with, if need be, the name of the person to whom
I wrote the correspondence redacted? This would serve two purposes:
(1) Satisfy the requirements of natural justice that a person accused
of a crime be appraised of the evidence against him and (2) Make it
possible for any independent observer, any ‘reasonable’
independent observer to draw one of two conclusions: (a) Ricketson
has indeed been intimidating and placing at risk members of Screen
Australia staff and his being banned is entirely appropriate or (b)
Ricketson is innocent of the crime he has been accused of, his being
banned is entirely inappropriate and should be lifted immediately.
If
I have intimidated and placed at risk members of Screen Australia
staff I do not deserve to be a part of the film community. Indeed, it
would not be inappropriate for Screen Australia to take out an AVO
order to prevent me from entering any of its offices. If the
allegations that Ruth Harley has made against me are false I do not
believe that she should remain as part of the film community and hope
that she would follow the logical course of action appropriate to her
abuse of the power vested in her as Chief Executive and resign.
In
response to my plan to publish on the internet, on my blog,
correspondence written by myself, you write:
12.
We point out at this juncture, that any documents you obtain through
discovery or any other coercive process in the proceeding, will be
subject to restrictions on their use. You would not be permitted to
publish documents obtained in that way on the internet without
breaching your legal obligations.
It
may be that I have misunderstood this statement. If so please correct
me if I am leaping to conclusions I ought not to. It seems to me
that Moran and Agnew, on behalf of Screen Australia, intends to
request of the Supreme Court that I not be able to publish online
correspondence I have written which reveals me to be, in the eyes of
Screen Australia, a person who intimidates, harasses and places at
risk members of Screen Australia staff? If Ruth Harley’s
allegations of intimidation are correct, surely my publishing the
relevant correspondence would be in hers and Screen Australia’s
best interests – revealing me to be someone who not only
intimidates public servants but who lies repeatedly in a public forum
about not having done so!
I
imagine, given that you are representing Harley and Cameron, that you
must at some point have asked to see the correspondence they both
refer to. And, having seen it, that you have given them legal advice,
right? Broadly speaking the advice would have to fall into two
categories: (1) Ricketson has indeed intimidated and placed at risk
members of your staff and you will win this case hands down or (2) We
can find no evidence that Ricketson has intimidated or placed anyone
on Screen Australia’s staff at risk with his correspondence. This
second finding is not necessarily an insurmountable obstacle for an
accomplished lawyer, however – not if Moray & Agnew can use the
Supreme Court to prevent Ricketson from publishing correspondence
that reveals either himself or Ruth Harley to be playing fast and
loose with the truth or, as Malcolm Turnbull once so delightfully put
it, being “economical with the truth.”
Perhaps
the Supreme Court will accept Moray & Agnew’s legalistic
arguments as to why this case should be thrown out. If so, so be it.
On the other hand the Court may wonder why and how it is that a
filmmaker can be banned on the basis of correspondence he has
allegedly written but not be provided with copies of said
correspondence.
I
find it highly unlikely that the Court would wish to place an embargo
of any kind on correspondence I have written. I hope that the Court
would, when presented with such a proposition by Moray & Agnew,
ask Screen Australia (along with the Ombudsman and the Information
Commissioner) why Mr Ricketson was not presented with the relevant
correspondence three months ago (in relation to his banning) and
around 20 months ago, in relation to Fiona Cameron’s allegations.
One
final point in relation to:
2.
“We consider the proceedings commenced against Dr Harley and Ms
Cameron constitute an abuse of process.
My
response: Banning a filmmaker on false allegations that he has
intimidated, harassed and placed at risk members of Screen Australia
staff is a far more significant abuse of process. This is what Ruth
Harley has done, with the blessing of the Screen Australia Board and
with the acquiescence of the Minister for the Arts, the Hon Simon
Crean.
Finally,
I cannot accede to your request that I do not copy this letter to
anyone. There are numerous people who could (and I believe should)
have nipped this dispute in the bud long ago. They did not do so and
must share some responsibility for the fact that it has been allowed
to fester this long and will wind up in the Supreme Court next week.
Amongst those who could (and I believe should) have nipped this in
the bud long ago, on the basis of facts and not unsubstantiated
allegations, are the entire staff of the Documentary Section of
Screen Australia, the Screen Australia Board, the office of the
Ombudsman, the office of the Hon Simon Crean and, this past week, the
office of the Commonwealth Information Commissioner. Even now, with
the Supreme Court hearing just six days away, either the Ombudsman or
the Information Commissioner could get on the phone to Ms Harley and
say, “Dr Harley, please release the intimidating correspondence you
claim Mr Ricketson has written and upon which you have relied for
the ban on him by 4 pm Friday 31st.
August.”
best
wishes
James
Ricketson
cc
Stephen Nowicki, Senior Investigation Officer, Commonwealth
Ombudsman’s office
Raewyn
Harlock, Deputy Director, Compliance, Office of the Australian
Information Commissioner
The
Hon Simon Cream MP, Minister for the Arts
How much money will Screen Australia spend on lawyers whose task now it seems will be to prevent anyone from ever knowing whether or not Ricketson is guilty of the crime Ruth Harley has cited as the reason for what will presumably be a lifetime ban?
ReplyDeleteHow much money indeed! Reality check required here by all involved. Isn't this something that should be resolved by the Ombudsman or some other independent party and not in the Supreme Court?
ReplyDeleteRicketson is a fruitloop who wont take no for an answer. He still thinks he deserves gifts from the public purse.
ReplyDeleteHowever, Harley and Cameron flunk the big test of character: President Lincoln said "Nearly all men can stand adversity, but if you want to test a man's character, give him power."
Bullying is big news in other places. Do it in school or online and you may be named and shamed. In the little empires of government funded arts and culture organisations, it's standard opertating practice. The people on the government salary don't realize it, but they're like Ricketson just self-centred egoists convinced tehy're right.
It's got so bad that of the two the raving Ricketson looks more reasonable.
Anonymous, I suspect that the facts are of little conseqence to you but here's one or two anyway: Never once, in my entire film career, have I complained about not getting funding. I have been making films for 40 years and have had, over this period of time, many more knockbacks than I have acceptances. For the bulk of the past 40 years I have lived doing other jobs - mostly non-film jobs.
DeleteAs for the bullying accusation, I have written everything here in my own name. I have incited Screen Australia to challenge me on a factual basis. It chooses not to do so. If any of the facts I have presented here (facts as opposed to opinions) are incorrect, Screen Australia is (and has always been) in a position to refute them. Indeed I have invited Screen Australia to do so on many occasions. If there is evidence of my having intimidated anyone, I deserve to be banned. I am the first to admit to that. if I have not intimidated anyone then your President Lincoln quite is apt.
Anonymously calling anyone 'fruitloop' or 'self-centred egoists' - whether it be me or Screen Australia bureaucrats - is an example of the worst that the internet has to offer in terms of dialogue and debate. Whoever you might be it does seem that you have some anger management issues to deal with.