The Hon George Brandis MP
Shadow Minister for the Arts
Commonwealth
Parliament Offices
Level 36, Waterfront Place
1 Eagle Street
Brisbane QLD 4000 19th June 2012
Level 36, Waterfront Place
1 Eagle Street
Brisbane QLD 4000 19th June 2012
Dear Senator
Brandis
I wrote to
both yourself and the Hon Simon Crean on 16th Sept last year to
alert you to the fact that complains made to Chief Executive Ruth Harley and
Chair of the Screen Australia Board about Chief Operating Officer Fiona
Cameron’s playing ‘fast and loose with the truth’ were passed on to Fiona
Cameron to deal with. I quoted
from a letter I wrote to Ms Harley:
“Isn’t Fiona’s tendency (of which there is ample evidence) to play fast
and loose with the truth a breach of Screen Australia guidelines? Isn’t Fiona’s
placing on file statements about correspondence she claims I have written to SA
(but have not) a breach SA
guidelines?”
I did not receive a reply from Ms Harley. Nor did I receive a reply to
my follow up letters of 12th and 13th Sept. It is not Ms Harley’s
style to respond to letters; to answer questions. I did, however, get the
following from Ms Cameron in an email.
“…please
do not continue to waste my time. Neither myself or any other Screen Australia
representative will enter into any further correspondence regarding these
matters.”
On 14th Sept I wrote to Mr Glen Boreham, Chair of the Screen
Australia Board complaining about Ms Harley’s refusal to answer three simple
questions I had put to her and about Ms Cameron’s tendency to play fast and
loose with the truth and, when asked to substantiate the factual accuracy of
her statements, to declare that she will enter into no further correspondence.
It would seem, from the tone of Ms Cameron’s response to yet another complaint
about her, that Mr Boreham will ignore my letter. Presumably Ms Cameron wrote
the following with Mr Borehams consent:
“Thank you for your letter to Ruth Harley dated 13 September and to Glen
Boreham dated 14 September, 2011. As previously advised Screen Australia will
not enter into any further correspondence regarding the project Chanti’s
World.”
Unlike Mr
Crean you had the courtesy to reply to my letter of 16h Sept with a
recommendation that I take the matter up with the Commonwealth Ombudsman. This
I had already done, but to no avail. The Ombudsman has no apparent interest in
the fact that Fiona Cameron investigates complaints made about herself, with
the blessing of the Screen Australia Board, and that Ms Cameron refuses to communicate with the
complainant or answer any questions at all. Six months later Ruth Harley, again
with the blessing of Glen Boreham and the Screen Australia Board, decided to
ban me from even speaking with members of Screen Australia staff. The reason
given was that I had, in my correspondence, intimidated, harassed and placed at
risk members of Screen Australia staff. When asked to provide evidence of the charges
laid against me, in the form of the relevant correspondence, Ruth Harley
refused to do so. The same applied for Chair of the Board, Glen Boreham. At no
level within Screen Australia is there the commitment to transparency and
accountability that we have a right to expect from the organization –
especially when up to $50 million of Australian tax-payer dollars are spent in
the production of an American film such as “The Great Gatsby”.
I have
asked the office of the Ombudsman repeatedly to request of Ms Harley that she
release the offending correspondence in question or extracts from it. The
Ombudsman does not respond in any way to my requests. I finished my letter to
you and Mr Crean of 16th Sept with:
Of course the lack of accountability and transparency in this instance –
the dishonesty, the lies - is, in the grand scheme of things, of minor
significance…My own problem with Ms Cameron is merely symptomatic of the larger
problem that exists within Screen Australia…The problem, in a nutshell, is that
there is no watchdog keeping an eye on what goes on inside Screen Australia.
The Board doesn’t keep a watchful eye on Ruth Harley, demand that she be
accountable, Ruth Harley doesn’t keep a watchful and critical eye on Fiona
Cameron and so on down the chain of command – rendering the organization an
autocracy in which pretty well everyone in senior management can do as they
please and be assured that no-one is going to stop them. A recipe for disaster!
The lack
of accountability and transparency within Screen Australia is exacerbated by
the refusal of the Ombudsman to ask even simple questions along the lines of: “Please,
Ms Harley, could you produce the correspondence that you refer to as the basis
for your banning of Mr Ricketson?”
In the
event that you are Minister for the Arts next year I trust, Senator, that you
will conduct a thorough review of the way in which Screen Australia is run and
see to it that the organization has a functioning complaints process and a
Board that does not see its job as merely placing a rubber stamp on decisions
made by Ruth Harley – in this instance a decision to ban me made on the basis
of a demonstrable lie. Ruth Harley could, of course, very easily reveal that it
is me who is the liar and not herself by releasing the correspondence she
refers to or the extracts within it that she claims have placed her staff at
risk through intimidation or harassment. She will not and cannot do so because
correspondence of the kind she refers to does not exist. The problem is that no-one
– not the Ombudsman, Screen Australia Board or Mr Crean – has any interest in
whether the correspondence exists or not. A strange state of affairs!
My most
recent attempt, through FOI legislation, to obtain copies from Screen Australia
of the correspondence I have supposedly written it to be found at:
http://jamesricketson.blogspot.com.au/2012/06/freedom-of-information-request.html
In the
interests of transparency and accountability I will publish this letter on the
internet also.
best
wishes
James
Ricketson
cc Commonwealth
Ombudsman
Brandis is respobsibel for the creation of Screen Australia in the first place so I doubt that he is going to do anything when he is the new Minister (as he certainly will be) to change things. Screen Australia works just fine thank you very much if you are part of the boys club that benefits from its largesse. If you are now best thing to do is avoid the place like the plague as it will only break your heart as it is Ricketson's.
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